The Art of Questioning: Simple Tips for Conducting Interviews

Interviews are something we’re all too familiar with here at ATC: they make up a huge portion of the audio we transcribe, and as such, we’ve become accustomed to the common forms, techniques, banalities, and yes––even the (occasional) blunders. While it’s only natural for every interview to have its highs and lows, we thought it may be useful to compile a short list of simple tips and tricks for conducting interviews that we’ve learned over our decades of work with oral historians, journalists, authors, and more. We certainly didn’t invent these principles, as we’re not the professionals in this field. Instead, these are the things we’ve gleaned from the experts that we feel are some of the cornerstones to a good interview––and we hope that those of you newer to interviewing get some use from them!

two women sit next to one another with microphones, conducting interviews for a talk show or podcast.
Photo by George Milton on Pexels.com
  1. Planning & The Goldilocks Principle

    One of the most important strategies for conducting an effective interview is preparation. It’s vital to put some planning and forethought into the interview––from both the interviewer and the interviewee––so that both parties feel that they’ve had a chance to fairly represent themselves, had enough time to speak, and had the opportunity to put their best foot forward and relay their desired meanings. But be warned; there is such a thing as too much planning. While it’s common courtesy to provide your interviewee with a list of questions (or, at the least, important talking points) ahead of time, there’s no need to get too specific. Part of the magic of a good interview is the natural flow––and sometimes getting a little off-topic or telling an unplanned anecdote can end up provoking the most stimulating part of the conversation. To avoid stifling an engaging exchange, make sure to plan just enough, but don’t overdo it. Provide your subject with a list of topics or questions, but avoid steering their answers in a specific direction or leading the witness, or you may end up with pedestrian, run-of-the-mill answers that make for a boring interview.

  2. Guidance & Support

    Another aspect of interviewing that often goes overlooked is the importance of support. When we transcribe an interview verbatim––meaning with every “um,” “ah,” “hm,” and false start included––one of the most notable elements of the finished transcript is the volume of verbal supportive cues given. While we as transcriptionists can’t observe the nonverbal encouragement that may be given by an interviewer (nodding, etc), we can observe the verbal ones, and we see firsthand the difference they make in the interviewing process. Though they may create more work for us as the transcriptionists, more verbal supporting cues (in the form of interjections) help interviewees respond better to questions––whether that means further elaboration of a previously expressed thought or the courage to tackle a difficult topic that perhaps they weren’t planning on getting into in depth. While it can seem repetitive to you as the interviewer, nodding along and offering small verbal interjections (“Ah,” “I see,” “Mm,” “Okay”) can really bolster the interviewee and make for a more comfortable rapport. Remember, though, if your recording contains a lot of supportive interjections, it can make transcription harder (particularly for AI), so look for a transcription service that can handle difficult audio––like us! And, to save yourself the trouble of worrying about verbal tics and cues while you’re trying to interview, request a modified verbatim transcript, where we transcribe all of the important content in the conversation and omit the verbal cues and stutters.


  3. Review, Review, Review

    Our last tip may be one we have a vested interest in, but it’s no less important for it: reviewing your interview. Whether you’re going to have your interview transcribed or not, it’s important to review it either in audio or text form to give you the best understanding of the effectiveness of your questions, your tone, your supportive cues, minute details of wording, and more. We recommend reviewing your interview at least a full day after it has taken place, so you can have some cognitive distance from your perceived ideas about the conversation and analyze your questions and your interviewee’s responses more accurately. This review process helps you understand what led to the most groundbreaking moments in the interview, or, conversely, where something might have gone a little awry. As always, if you need a transcript of any interview with an unbeatable level of accuracy, well, you know where to find us!

While these three tips for conducting interviews may seem simple and self-explanatory on the surface, we’ve found that really honing on them results in better, more engaging interviews every time––as well as more interesting transcripts for us! Whether you’re conducting interviews for an oral history, a memoir, an academic purpose, or even an open role at your workplace, these three tips will help guide you towards your ideal interview––and we wish you the best of luck!

ATC Client Spotlight: Judith Bishop

For this month’s Client Spotlight blog, we wanted to introduce broadcast producer and reporter Judith Bishop. Currently based in Miami, Judith has worked in broadcast journalism for over 40 years––decades of experience that led her to write her first book “Changing Channels: From Just the Facts to Outrageous Opinions” as well as to begin hosting her podcast “More on the Story.” Since we consider ourselves fans of the truth here at ATC, we’re excited to share more on Judith’s recent work, but first, allow us to offer some background. 

Judith began her career in broadcast reporting in 1975 when she took a position as a television news anchor and reporter at WTVG in New Jersey, where she quickly rose through the ranks covering the latest in the political and business news of the day. During her early career, she covered multiple Democratic National Conventions, and was also responsible for several high-profile interview programs hosted by some of the biggest names in TV news, including Al Roker, Dick Cavett, and Tim Russert. Judith was also responsible for producing many programs at CNBC––thirty of which are now recorded in the permanent archives at The Paley Center. She’s worn a lot of hats throughout her career as a veteran journalist, from helping coordinate the launch of “HARDBALL with Chris Matthews” to producing documentaries and year-end specials, and now she’s adding podcast hosting and writing to her impressive resumé. 

Changing Channels: From Just the Facts to Outrageous Opinions

At ATC, we had the pleasure of helping Judith in the creation process of her debut book, which she wrote as “an examination of television journalism in the age of Trump.” An integral piece of the publication was the inclusion of interview snippets and extensive quotes from industry insiders, including famous TV news anchors, reporters, and more––and that’s where we came in. Working with Judith to provide fast and highly accurate, verbatim transcripts from these sources was both challenging and incredibly fascinating for those members of our team that had the opportunity to contribute the transcription, and we’re thrilled that Judith described us as “a one-stop shop for verbatim transcriptions at rapid speed and a fair price.” 

“Changing Channels” is available now on Amazon, Barnes & Noble, and your local bookstore. It’s a captivating exploration of the world of TV news in our modern era, asking––and answering––some of the deepest and most compelling questions about the ways that television news has come under public scrutiny in the time during and after the Trump presidency. We think it’s both a thoughtful and a critical examination of the search for truth in media, and we heartily recommend it to those looking to hear about the world of TV news by those who know it best. Her podcast “More on the Story” is available on Apple Podcasts, Spotify, or wherever you listen to podcasts. 

ATC Client Spotlight

May 31, 2020
ATC’s Client Spotlight is on the Hatfield Historical Society


As we wrap up the month of May we wanted to share a fascinating oral history project that our client, the Hatfield Historical Society, has just published on their Hatfield Vietnam Stories website. These oral histories capture the untold stories of Hatfield veterans from the Vietnam War. These captivating oral histories are full of memories with raw emotions, and they intertwine their amazing recollections from their lives and experiences during the war.

It was an honor to be a part of this project, and our team was so moved by the veterans’ responses.

These interviews help us better understand not only the experiences of these veterans from the Vietnam War, but the oral histories also give a greater sense of our nation’s history from that era.

7 Digital Recording Devices for Oral History Interviews

7 Digital Recording Devices for Oral History Interviews

In theory, research interviews could be recorded with any device — a phone, a laptop, or even a camcorder. But if you want to save big in the long run, it’s better to invest in a good digital voice recorder. These devices are specifically designed for recording long interviews at high quality, which makes the subsequent transcription process faster and more cost-effective.

Continue reading “7 Digital Recording Devices for Oral History Interviews”

5 Love Stories That Started in the Most Unexpected Ways

Every year, it becomes more and more common to find one’s significant other online, using a dating website or app. So how did single people find their match before the World Wide Web brought us all together? As the song says, “Love comes from the most unexpected places,” and to prove it, five couples tell StoryCorps how their love stories started:

Continue reading “5 Love Stories That Started in the Most Unexpected Ways”

Improve audio & save money: the experts speak

Improve audio & save money: the experts speak - ATC Blog

Practice.  Study your recorder and your microphone and learn how they “listen” and record.  Then, understand how to optimize the quality of your recording so you can adapt to any recording situation.” Doug Boyd PhD, Director, Louie B. Nunn Center for Oral History, University of Kentucky Libraries

 I lead in with a quote from Doug Boyd, as evidence that this is not just a self-serving transcription service telling you what to do with your recording and interview techniques, but one of the pre-eminent scholars in the oral history world (and in full disclosure one of our clients who agreed to offer his two cents on interviewing and recording techniques) who spends his professional life making sure he’s able to capture high-quality interviews for archival purposes – while aggressively monitoring the overall dollars he spends on his projects.  Our motives, quite frankly, are a bit selfish.  By having the best audio to work with, our reputation as a high quality transcription service is enhanced.  But equally important is helping you find ways to record archival quality audio/video, and at the same time conserving your all- important budget dollars.  Additionally, on a more personal level for us, we want to save our transcriptionists’ ears and their sanity as well.
The key in all of this –
You or whoever is conducting your interviews needs to help us
in this improvement and financial conservation process.
We guestimate that 30%of the audio we receive each year is recorded as if the people talking are standing at the bottom of a well, and then are conversing with one another through the technological wonders of tin cans and string.  Maybe we exaggerate things (just slightly), but it is to prove a point.  If it wasn’t for those darn confidentiality agreements we’d be more than happy to share examples of this poor quality audio, ergo transcripts, with you as well.
Instead, we’ll do our best to offer some (what we think are) common sense tips, and as backup to our points, some key thoughts from experts in the art of recording and interviewing, answering the question of, If you only had one thing you could tell someone to help them improve their interviews to get the best interview recording possible, what would it be?”  You’ll see the challenge in their replies is that not many of them were able to keep their list to one thing.  In full disclosure, the quotes are not just from people who are experts in their field, but from people who are also our clients.  Who better to learn from than the people who are recording and interviewing in the best manner possible. 
But first, here’s our bullet point take on it.
·         Above all else: Use Common Sense (If only everyone would use some common sense)
  •   Test out the recording device and all of its features before using it.
  •    Place the recorder closer to the interviewee than to the interviewer.
  •    Check the batteries (if there’s no power chord), and bring extra batteries!
  •    Bring an extra memory card
  •    Don’t talk over the interviewee – let them complete their thought, and then follow-up.
  •    Pay attention to the place of the recording
  •   Is there ambient noise to be concerned with?
    •          Is the location in a quiet room, but under an air conditioner?
    •          Is the location a noisy coffee shop (chatter, dishes, etc.)?
    •          Will external conversations be picked up by the recording device?
  •  Be prepared with questions to keep your interview as cohesive as possible
  •  Don’t forget to bring and use a backup recorder (if possible).
See, we believe all these aforementioned bullet points are common sense, and we don’t know how else to classify them.  Our clients/the experts also offer some excellent points to implement in the interview and recording process, and we know you’ll find them helpful as well.
  lucky_budd_circle-300x300   The most important thing to keep in mind when interviewing is that capturing the interviewee’s testimony is the primary goal.  A recorder should therefore be placed 2 feet from the interviewee, pointed at their mouth.” –Robert Budd, Memories to Memoirs (He got his Master’s Degree in the field!)
    
    “I have told people before in oral history workshops to go ahead and spend the extra money and get two separate microphonesone for the interviewer and one for the interviewee – and make sure they are both the best quality that you can afford.”  –Anonymous (do to the aforementioned confidentiality concerns, this client/expert prefers to remain anonymous, but did want their thoughts to be included.)
      “Even on days where you’re most excited to get the interview started, be sure to spend the additional time it takes to test all of your audio equipment – in that specific setting, with that particular individual – before you dive into your conversations.” —Samuel J. Redman, Academic Specialist and Lead Interviewer for the Rosie the Riveter World War II Home Front Oral History Project, Regional Oral History Office, UC Berkeley
    “Do as much research as time and money allow to avoid superficial questions and answers and probable frustration of the interviewee.” –Sally Smith Hughes, Academic Specialist, Science and Technology, Regional Oral History Office, UC Berkeley
      Know your recording equipment so well that you can be 99 percent focused on the interview and 1 percent focused on the equipment.”–David Dunham Project Manager, WWII Home Front Oral History Project  – Regional Oral History Office, UC Berkeley Web/Video Director
Take the time to implement these helpful ideas, and you’ll find in the long term you’ll have better quality recordings and more accurate transcripts that save you time, money, and our transcriptionists’ headaches.

Archive of American Television – Client Spotlight April 2010

Archive of American Television - Client Spotlight April 2010 - ATC Blog

Oral History Meets TV = Transcription Bliss @ ATC

We here at the Audio Transcription Center have probably all watched more television in our lives than we care to admit.  Still, we like to think of ourselves less as gluttons for the tube and more as refined connoisseurs of the medium.  But, though we may try to act all cool, nothing sets us a-twitter like receiving a new transcription assignment from our friends at the Archive of American Television (you might know them better as “The Emmys”)

Wait, TV has an Archive?

Yup.  Founded in 1997, the Television Academy Foundation’s Archive of American Television is a treasure trove of one-on-one interviews with TV luminaries — from the early pioneers who shaped the medium, to beloved personalities of TV’s golden age; from the actors, actresses, news anchors, and hosts who’ve worked in front of the camera, to the directors, writers, composers and producers who’ve worked behind the scenes.

From the BoobTube to YouTube

And, as part of its vision “to chronicle electronic media history as it evolves… and make the interviews available worldwide,” the Archive has digitized over 2,000 hours of its original content, making hundreds of these interviews accessible online.  For FREE.

A few of the most recently posted interviews include:

  • Beloved Children’s television performer (and avid sweater collector) Fred Rogers, of Mister Rogers Neighborhood.
  • Famously irreverent and ever insightful comedian George Carlin (ironically, the man who gave the world the “Seven Dirty Words You Can Never Say on Television,” which he discusses here).
  • Former Golden Girl who’s having a late career revival with roles in hit movies and TV commercials and an upcoming gig hosting Saturday Night Live, Betty White.

And of course our first love, Transcripts

In addition to having hundreds of interviews available to watch online, complete transcripts of most of the interviews are available from the Archive (for a fee, and for research purposes only).  For additional info, contact the Archive’s Digital Projects Manager, Jenni Matz.